[Latin Name]  Piper methyicium L.

[Specification] Kavalactones ≥30.0%

[Appearance] Yellow powder

Plant Part Used: Root

[Particle size] 80Mesh

[Loss on drying] ≤5.0%

[Heavy Metal] ≤10PPM

[Storage] Store in cool & dry area, keep away from the direct light and heat.

[Shelf life] 24 Months

[Package] Packed in paper-drums and two plastic-bags inside.

[Net weight] 25kgs/drum

[What is Kava?]

Kava, also known as piper methysticum, kava kava, and ‘awa, is a small shrub native to the islands in the South Pacific. The root and stems are made into a non-alcoholic, psychoactive beverage that has been used socially and ceremonially for hundreds of years in Hawaii, Fiji, and Tonga.

Kava is traditionally prepared by placing ground root and stem into a porous sack, submerging in water, and squeezing the juice into a large, carved, wooden bowl. Coconut half-shell cups are dipped and filled — punch bowl style. After drinking a cup or two a feeling of heightened attention combined with relaxation begins to come on. Although it is soothing, it is unlike alcohol in that thoughts remain clear. The flavor is largely inoffensive, but some find that it takes getting used to; it really depends on your preference for earthy flavors.

[Kava is Safe to Use]

The safe and effective benefits of kava to relieve symptoms of anxiety were also supported in a meta-analysis, a systematic statistical review of seven human clinical trials published in 2000 in the Journal of Clinical Psychopharmacology, and again in a similar critical review in 2001. The reviews did not find significant adverse effects related to liver toxicity.

In conclusion, the liver is affected by many substances, including prescription and non- prescription drugs, as well as alcohol, which is a major cause of liver damage. We must be aware that herbs are potent medicines, to be treated with the appropriate respect regarding potential interactions and toxicity, including to the liver. On the other hand, Kava kava’s margin of safety far surpasses that of it’s pharmaceutical equivalent.

[Function]

Kava’s can help offset a number of problems, most notably stress, anxiety, and disrupted sleep patterns. However, kava’s anxiolytic (anti-panic or anti-anxiety agent) and calming properties can offset many other stress and anxiety related ailments.

1. Kava as a Therapy for Anxiety
2. Kava May Remedy Menopausal Mood Swings

3. Weight Loss

4. Combat Premature Aging

5. Quit Smoking Aid

6. Combat pain as an analgesic

7. Insomnia

8. Depression

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Jean-Sébastien Bach (1685-1750)
Passion selon saint Jean
Orchestra of the Age of Enlightenment
Stephen Layton (directeur)
Polyphony

Get on iTunes https://itunes.apple.com/us/album/bach-st-john-passion/id596456273?ls=1&app=itunes&at=10ltTR

Featured extracts
St John Passion BWV245 [117'44]
1- Part 1 No 1, Chorus: Herr, unser Herrscher [9'04]
2- Part 1 No 2, Recitative: Jesus ging mit seinen Jüngern (Evangelista/Christus) [2'23]
Ian Bostridge (tenor), Neal Davies (bass), Polyphony
3- Part 1 No 3, Chorale: O große Lieb [0'46]
4- Part 1 No 4, Recitative: Auf dass das Wort (Evangelista/Christus) [1'03]
Ian Bostridge (tenor), Neal Davies (bass)

APPENDIX
43- Part 2 No 40, Chorale (fully accompanied version): Ach Herr, lass dein lieb Engelein [2'00]

Album also includes
5- Part 1 No 5, Chorale: Dein Will gescheh, Herr Gott [0'47]
St John Passion BWV245 [117'44]
6- Part 1 No 6, Recitative: Die Schar aber (Evangelista) [0'45]
Ian Bostridge (tenor)
7- Part 1 No 7, Aria: Von den Stricken meiner Sünden [4'54]
Iestyn Davies (countertenor)
8- Part 1 No 8, Recitative: Simon Petrus aber folgete Jesu nach (Evangelista) [0'10]
Ian Bostridge (tenor)
9- Part 1 No 9, Aria: Ich folge dir gleichfalls [3'25]
Carolyn Sampson (soprano)
10- Part 1 No 10, Recitative: Derselbige Jünger (Evangelista/Ancilla/Petrus/Christus/Servus) [3'11]
Ian Bostridge (tenor), Amy Wood (soprano), Ashley Riches (bass), Neal Davies (bass), David de Winter (tenor)
11- Part 1 No 11, Chorale: Wer hat dich so geschlagen [1'40]
12- Part 1 No 12, Recitative: Und Hannas sandte ihn gebunden (Evangelista/Servus/Petrus) [2'02]
Ian Bostridge (tenor), Ashley Riches (bass), David de Winter (tenor), Polyphony
13- Part 1 No 13, Aria: Ach, mein Sinn [2'30]
Ian Bostridge (tenor)
14- Part 1 No 14, Chorale: Petrus, der nicht denkt zurück [1'11]
15- Part 2 No 15, Chorale: Christus, der uns selig macht [1'02]
16- Part 2 No 16, Recitative: Da führeten sie Jesum (Evangelista/Pilatus/Christus) [4'04]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
17- Part 2 No 17, Chorale: Ach großer König [1'36]
18- Part 2 No 18, Recitative: Da sprach Pilatus zu ihm (Evangelista/Pilatus/Christus) [2'00]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
19- Part 2 No 19, Arioso: Betrachte, meine Seel [2'31]
Roderick Williams (baritone)
20- Part 2 No 20, Aria: Erwäge, wie sein blutgefärbter Rücken [8'37]
Nicholas Mulroy (tenor)
21- Part 2 No 21, Recitative: Und die Kriegsknechte flochten (Evangelista/Pilatus/Christus) [5'39]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
22- Part 2 No 22, Chorale: Durch dein Gefängnis, Gottes Sohn [0'43]
Polyphony
23- Part 2 No 23, Recitative: Die Jüden aber schrieen (Evangelista/Pilatus) [3'58]
Ian Bostridge (tenor), Roderick Williams (baritone), Polyphony
24- Part 2 No 24, Aria with chorus: Eilt, ihr angefochtnen Seelen [3'41]
Roderick Williams (baritone), Polyphony
25- Part 2 No 25, Recitative: Allda kreuzigten sie ihn (Evangelista/Pilatus) [2'18]
Ian Bostridge (tenor), Roderick Williams (baritone), Polyphony
26- Part 2 No 26, Chorale: In meines Herzens Grunde [1'02]
27- Part 2 No 27, Recitative: Die Kriegsknechte aber (Evangelista/Christus) [4'02]
Ian Bostridge (tenor), Neal Davies (bass), Polyphony
28- Part 2 No 28, Chorale: Er nahm alles wohl in acht [1'04]
29- Part 2 No 29, Recitative: Und von Stund an nahm sie der Jünger (Evangelista/Christus) [1'21]
Ian Bostridge (tenor), Neal Davies (bass)
30- Part 2 No 30, Aria: Es ist vollbracht! [5'41]
Iestyn Davies (countertenor)
31- Part 2 No 31, Recitative: Und neiget das Haupt und verschied (Evangelista) [0'30]
Ian Bostridge (tenor)
32- Part 2 No 32, Aria and Chorale: Mein teurer Heiland, lass dich fragen [4'31]
Roderick Williams (baritone), Polyphony
33- Part 2 No 33, Recitative: Und siehe da (Evangelista) [0'31]
Ian Bostridge (tenor)
34- Part 2 No 34, Arioso: Mein Herz, in dem die ganze Welt [0'48]
Nicholas Mulroy (tenor)
35- Part 2 No 35, Aria: Zerfließe, mein Herze [7'23]
Carolyn Sampson (soprano)
36- Part 2 No 36, Recitative: Die Jüden aber (Evangelista) [2'14]
Ian Bostridge (tenor)
37- Part 2 No 37, Chorale: O hilf, Christe, Gottes Sohn [1'02]
38- Part 2 No 38, Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelista) [2'23]
Ian Bostridge (tenor)
39- Part 2 No 39, Chorus: Ruht wohl, ihr heiligen Gebeine [8'02]
40- Part 2 No 40, Chorale: Ach Herr, lass dein lieb Engelein [2'00]

APPENDIX
41- Part 1 No 11, Chorale (fully accompanied version): Wer hat dich so geschlagen [1'35]
42- Part 2 No 19, Chorale (fully accompanied version): Ach großer König [1'35]

Recorded in April 2012
All Hallows, Gospel Oak, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt